Tina the Musical - PLOT SYNOPSIS

2019 New Musical
TINA: The Tina Turner Musical - PLOT SYNOPSIS

Act I

The musical opens with Anna Mae Bullock's childhood in Nutbush Tennessee, where she sings exuberantly in the community church despite her mother Zelma's embarrassment at her loudness ("Nutbush City Limits"). Anna Mae's parents have a difficult relationship, which culminates in Zelma walking out with her eldest daughter Alline, leaving Anna Mae to be brought up by her grandmother, Gran Georgeanna.

Some years later, Anna Mae is invited to join Zelma and Alline in St. Louis, and she goes with Gran Georgeanna's encouragement ("Don't Turn Around"). In St. Louis, Alline introduces Anna Mae to the night life ("Shake a Tail Feather"), eventually crossing paths with Ike Turner and his band, the Kings of Rhythm ("The Hunter"). One night Anna Mae joins Ike on stage to sing ("Matchbox"), and the success of the performance leads Ike to ask Zelma for permission for Anna Mae to join his band ("It's Gonna Work Out Fine").

Ike gives Anna Mae the stage name "Tina Turner" despite her protests. Although Tina enjoys performing with him, she's aware of Ike's vicious temper ("A Fool in Love"), and has to hide her love affair with Raymond, a member of Ike's band ("Let's Stay Together"). After touring successfully for some time, Ike asks Tina to marry him, since people already think they are because of her stage name. Tina agrees, despite being pregnant with Raymond's child; in response, Raymond leaves her ("Better Be Good to Me"). Tina keeps performing with Ike and his band, through Ike's infidelities, violence, and demands of Tina's health despite her having another child ("I Want To Take You Higher"). Ike's stage manager, Rhonda Graam, advises Tina to leave him, but she refuses.

Ike gets a recording deal with Phil Spector, but is angered when he wants to record Tina solo ("River Deep Mountain High"). Ike is dismissive of Tina's ability as a solo artist, and during an argument attempts to hit her son, Ronnie. Tina almost walks out, but Ike apologizes and begs her forgiveness ("Be Tender with Me Baby"). Tina overdoses and is sent to hospital, but is forced to check out for a performance ("Proud Mary"). Backstage, Tina and Ike get into another violent fight, which is the final straw and causes Tina to run away. Bruised and bleeding, she asks a hotel clerk for a room to stay, using only her stage name as a promise to pay later since she doesn't have any money ("I Don't Wanna Fight").

Act II

Tina, free from Ike, has been performing in Las Vegas with the help of Rhonda, now her manager. They're struggling to make ends meet because no record label wants to sign a black woman who's nearing forty years old, and Ike has claimed copyright over all songs from the "Ike & Tina Revue", preventing her from singing the songs she's known for ("Private Dancer"). While dropping off a demo tape at Capitol Records, they meet Roger Davies, a young Australian music producer who's a fan of Tina. Roger goes to Vegas to watch Tina perform ("Disco Inferno") and afterward asks to be her manager. Rhonda is upset about being put aside, but Tina insists that she needs to try something new, and that she needs Rhonda more as a sister than a manager ("Open Arms").

Tina travels to London for Roger's recording session. Among the people she meets is Erwin Bach, a German music executive. Tina wants to reinvent herself and transition to rock and roll, but she struggles with Roger's advice, and dreams of Ike watching her ("I Can't Stand the Rain"). Erwin visits her hotel room to provide comfort, and the pair kiss.

While preparing a performance showcase for the record label, Tina rails against Roger's instructions, refusing to be anyone's puppet any longer. Tina asks everyone to leave, and performs her Buddhism mantra to calm herself. She has a vision of her younger self and Gran Georgeanna encouraging her ("Tonight"). The showcase is a success, but the record label still refuses to sign her out of racism. Roger decides to promote her himself through touring performances back in the US. Erwin asks her to stay in London and declares his love for her, but she rejects him. Tina's performance of the new material is a success ("What's Love Got to Do With It?"). Capitol Records begs her to sign with them, and she agrees only on her own terms.

Alline arrives with news Zelma is dying. Tina visits Zelma at the hospital, where Ike has been staying with Zelma as well. Zelma encourages them to reconcile; Tina demands that Ike apologize, but he can't and leaves. Zelma and Tina have an emotional confrontation, after which Zelma dies. Tina and Alline mourn their mother ("We Don't Need Another Hero (Thunderdome)").

Riding high, Tina prepares for a concert before 180,000 people in Brazil. Erwin arrives, having flown over to be with her. The pair reconcile, which leads into Tina's walking on stage for the concert ("The Best"). For the finale and encore, Tina and her band perform reprises of "Nutbush City Limits" and "Proud Mary".

Songs from musical: TINA: The Tina Turner Musical
Synopsis to Tina: The Tina Turner Musical Plot

TINA: The Tina Turner Musical Lyrics

Nutbush City Limits
Don't Turn Around
Shake a Tail Feather
The Hunter
It's Gonna Work Out Fine
A Fool in Love
Let's Stay Together
Better Be Good to Me
I Want To Take You Higher
River Deep Mountain High
Be Tender with Me Baby
Proud Mary
I Don't Wanna Fight
Private Dancer
Disco Inferno
Open Arms
I Can't Stand the Rain
What's Love Got to Do With It?
We Don't Need Another Hero
The Best